摘要
歌剧《日出》是金湘先生根据曹禺同名话剧进行改编、创作的歌剧作品,剧中的黑社会分子黑三是个出场次数不多却推动着剧情向高潮发展的重要人物,作曲家根据歌剧内容的需要所采用的创作手法使黑三的音乐语言构成了一种"复风格"的统一体,文章将针对统一体中旋律、和声、复调、配器的音乐语言特色进行分析与探究。
The opera "Sunrise" 's drama with the same name by Jin Xiang. Hei San, the member of an organized criminal gang, is an important character with fewer appearances but pushing the climax. The composer's creation method according to the content of the opera makes Hei San's musical language a unity of "multi-style" The analysis and exploration of this paper focuses on the melody, harmony, polyphony and musical language characteristics of orchestration of the unity.
出处
《吉林艺术学院学报》
2017年第2期12-18,共7页
Journal of Jilin University of Arts
关键词
金湘
歌剧
《日出》
黑三
音乐语言
Jin Xiang
opera
’Sunrise’Hei San
musical language