浅析《罗森格兰兹和吉尔登斯吞已死》——论后现代社会对《哈姆雷特》的全新解读

An Analysis of Rosencrantz and Guildenstern Are Dead——New Postmodernist Interpretation of Hamlet

《哈姆雷特》在人物设置,叙述方式、戏班的作用三个角度进行比较来阐释两者的不同之处,并诠释斯托帕德在影片中反映的荒诞的命运观,同时也借机窥视彻底反传统的后现代社会对《哈姆雷特》这部经典作品的全新解读。

Rosencrantz and Guildenstern Are Dead written by Tom Stoppard, which was filmed in 1990, is a parody and reconstruction of Hamlet, one of Shakespeare＇s most famous plays. This article attempts to interpret the differences between the film and Hamlet from three aspects of characters, way of narration and the function of theatrical troupe, and explain the absurd view of destiny reflected in the film. Meanwhile, it observes the new anti-conventional postmodernist interpretation of Hamlet.