观心无常,观法无我——东京静嘉堂本《罗汉图》身份考

Minds of Impermanence, Concepts of Anatman——On the Arhat Pictures of Seikado Bunko in Tokyo

本文通过解读牧溪静嘉堂藏本《罗汉图》,将其与宋代相类罗汉图、罗汉像连结为同一图系母题考察之,结合原始文献记载,考证以披布、坐禅为主要特征的罗汉形象实为禅宗初祖菩提达摩。

Through the interpretation of Arhat Pictures of Seikado Bunko, the paper combines it with the similar Arhat pictures and statues in Song Dynasty as the same picture motif, confirming the Arhat images with the main features of wearing a cloth and sitting in meditation as the Zen Chuzu Bodhidharma.