元代黄公望《溪山雨意图》鉴藏考

Research on Connoisseurship and Collection of Yuan Dynasty Huang Gongwang's Painting Intimations of Rain Among Mountains and Streams

现藏于中国国家博物馆的《溪山雨意图》,是元代画家黄公望早期重要代表作品,画作体现了黄氏画风及师承,上有多处题跋及多方收藏印。然而长久以来,对于这一馆藏重要作品,缺乏专门、系统的论述,尤其是画卷上某些收藏印及其归属问题尚不明确,著录问题也有混淆之处。本文从全面释读画卷的题跋、铃印、著录等原始资料入手,结合文献考察了此卷的材料且详细梳理了画作的创作、流传及收藏过程,考辨与此画相关的画家、收藏者、鉴赏家,在考证他们之间关系的同时,揭示画作流传顺序;比对真迹与摹本画法、题跋、著录等历史信息,揭示黄公望真迹时代及个人风格,阐述其文物价值,并尝试对摹本画卷进行断代,还原历史本来面目,再现画卷背后的人文景观。

Intimations of Rain Among Mountains and Streams collected in the National Museum of China is a masterpiece of the eminent Yuan dynasty artist Huang Gongwang representative of his early-stage style. This painting carries many colophons and seals, and it reflects Huang＇s personal and his artistic school style. However, as an important item of the museum, there has been hardly professional and systematical research on this artwork or identification of some of its seals; even historical records about it contain contradictions. This article analyzes the colophons, seals and historical records of this masterpiece, consults related literature and combs its production, circulation and collection history. Related painters, collectors and connoisseurs are also studied in terms of their relationship and the circulation sequence of this painting. This artwork is compared with its copies according to their painting techniques, colophons and records to identify Huang＇s personal style and the Yuan dynasty trend. The author elaborates the painting＇s value as a cultural relic and tries to date its copies and restore the historical and cultural background of this artwork.