现实与梦幻的交响曲——《万叶集》的七夕歌创作

Symphonic Intersection of Reality and Fantasy Based on Poetry Composition of Qi-Xi in Manyoshu

日本古典《万叶集》的七夕歌,创下了数个"日本第一"。其最大的特点就是,将现实与梦想交融在一起,勾勒出一幅悲壮的浪漫交响曲。写得很神秘、很动人、很精彩。说它神秘,是因为它将古代中国传说与古代日本神话完美地结合在一起;说它动人,是因为主体与客体完美的结合,使得源于中国大陆的七夕传说,演绎的愈发浪漫和悲壮;说它精彩,是因为它将万叶人的情感世界描绘得如痴如醉。《万叶集》的七夕歌,不但创造了日本文学史上的辉煌,而且,还为我们展现了古代日本人在吸收中国大陆文化时所表现出的极其务实的一面。

The Qi-Xi poetry in the existing oldest collection of Japanese poetry The Manyoshu （ also known as Ten Thousand Leaves） records multiple landmarks in Japanese history. The poetry combines reality and fiction beautifully and vividly in a symphonic virtuosity by marrying the ancient myths from China and Japan, and dynamically reflecting them within a subjective perspective. The fairytale in Chinese literature is romantically and profoundly identified and developed by the picturesque depiction of the emotional tapestry of the local people in Wan Ye. The Qi-Xi poetry not only marks the glory of Japanese literature, but also latently demonstrates the down-to-earth pragmatism of ancient Japanese in their successful borrowing from the Chinese mainland culture.