摘要
王韬的《漫游随录》作为事后追忆之游记文本,基于王韬本人际遇的变迁以及书写之际的启蒙策略,于文中全面呈现了一个乌托邦式的西方想象体,与此同时,在展开西方乌托邦想象之际,"吾道其西"的中华文化想象也平行展开,他者想象与自我想象之间的牵扯及其悖论性共存,说明近代思想的发生、近代新人的诞生从来不是非此即彼的简单替代,而是于新旧杂陈的思想交锋间摇曳而出。
His Informal Essays, a post-travel text, written from memory, is based on changes that happened in Wang Tao' personal experience and the enlightenment strategies at the time of writing in that a utopia of imaginary West is fully revealed in the text and, at the same time, the imagination of a Chinese culture with' my way westward' is also unfolded in parallel in which the imagination of an Other and that of a self co-exist, in an entangled and paradoxical manner, driving home the point that the occurrence of modern thought and the birth of the new people in modern times have never been a simple either-or replacement, instead an emergence out of the clash between thoughts, old and new.
出处
《华文文学》
CSSCI
北大核心
2017年第6期46-52,共7页
Literatures in Chinese
基金
教育部人文社科规则2015年度课题"晚清域外游记诗歌文献整理研究"
项目号:15YJC751053
关键词
王韬
漫游随录
想象
悖论式
文化心理图式
Wang Tao, Informal Essays, imagination, paradoxical, a cultural mental map