哀怨、革命和消费的面谱变迁——中国现代小说女性电影形象历程述论

The Changing Faces of Sadness,Revolution and Consumption: On the Film Image History of Chinese Modern Novel Female

中国现代文学作品中的女性形象构建是中国百年间女性发展的最好记录和研究对象,而电影对相关女性形象的进一步传播成为一种更为直观的思想或消费对象。在文学与电影的交融过程中,一个隐秘的自然身体与社会建构的图景缓缓展开,它们既留下风采与遗憾,也促使影像话语的叙述立场、想象方式与表达维度的质询产生。

The female image construction in modem Chinese literature is the best record and research object of Chinese women＇ s development over 100 years, and the film has become a more direct thought or consumption object to the female image. In the blending process of literature and film, a hidden panorama of natural body and social construction slowly unfolds, thus it leaves both the charm and the regret, and also promotes the narrative position, imagination and expression dimension of the image discourse.