摘要
儒墨之争是复杂性问题,也是中国文化史上的重大事件。它的发生是由当时的文化状况决定的,既是话语权之争,也是政治道路选择之争。文化史上的儒墨之争产生了四种格局:儒墨互非、儒墨互用、尊儒抑墨和排儒扬墨,这形成了既互相牵制又相对均衡的结构性张力。重思儒墨之争,有益于对墨学不断地探索、发觉和创造性转化,促使儒学和墨学研究获得新的进展,这将给中华传统文化的返本开新创造出许多生机。
The dispute between Confucian and Mohism is not only a complexity problem, but also a major event in the history of China culture. Its occurrence is detennined by the cultural situation at that time. It is a controversy of the discourse power and the choice of the political road. The dispute between Confucian and Mohism on the cuhure history produces four kinds of pattern: mutual negation, mutual use, for Confucian and against Mohism, for Mohism and against Confucian. It forms the structural tension which contains each other and relatively balances. Rethinking the dispute between Confucian and Mohism is beneficial to constantly explore and creative transformation of Mohism. This can prompt the research progress. This can create the new life of the Chinese traditional culture.
出处
《职大学报》
2017年第6期17-22,共6页
Journal of the Staff and Worker’s University
关键词
儒墨之争
儒墨互非
儒墨互用
尊儒抑墨
排儒扬墨
the dispute between Confucian and Mohism
mutual negation
mutual use
for Corrfucian and against Mohism
for Mohism and against Confucian.