海登·怀特之于文本的性别意识形态的符号学思考

Hayden White's Semiotic Thinking On Gender Ideology In Text

沙米尔的组诗、舒曼的配曲、索莱尔的阐释以及罗珊德的戏剧,以不同形式特性建构了19世纪的性别意识形态。海登·怀特从揭示文本意义生成的角度,阐明了上述文本所表现出的性别意识形态之内容及其形式特性,指出意识形态并非文本的语言学的指涉物,而是符号学的指涉物。

Chamisso＇s poem cycle, Schumann＇s Frauenliebe songs, Ruth Solie＇s account and Rosand＇s analysis of operas construct 1900＇s gender ideology through formal property in text. Illustrating the content and formal property of the gender ideology in text through the textual meaning of creation, Hayden White hold that the ideology is not the linguistic references, but the semitic references.