苗族鼓藏节仪式音乐研究综述

A Research on the Ritual Music of Guzang Festival of Miao Nationality

综观苗族整体文化研究,鼓藏节仪式历来为学界所重视,研究成果颇丰,然而以苗族鼓藏节仪式音乐为研究对象的研究成果却极其匮乏,亟待发展。本文主要是对1840年以来苗族鼓藏节仪式音乐研究成果的学术总结,笔者通过对所获文献资料的整理与研究,将苗族鼓藏节仪式音乐研究历程分为萌芽期(1840年之前)、初建期(1840—1949年)、发展期(1950—1999年)、拓展期(2000—2016年)四个阶段,分别从学术背景、学理渊源、学术内容、学术价值等方面对百余年来苗族鼓藏节仪式音乐研究历程进行梳理、归纳与总结,对研究现状与发展趋势进行评介。

As a whole of researches on culture of Miao nationality, Guzhang festival has always been of great concern by academic circle with fruitful researches. However, few have been done on the study of its ritual music. This paper aims to review on the researches concerning the ritual music of Guzang Festival over the past century. By doing a literature review, the paper tends to classify the researches on ritual music of Guzang Festival into four phases, namely the embryonic period（before 1840）, the initiating period（1840-1949）, the developing period（1950-1999）, and the expanding period（2000-2016）. It combs, classifies and concludes the ritual music from the aspects of academic background, origin, contents and values. It also reviews on the status quo and trends.