摘要
夏济安对《文学杂志》(1956-1960)小说来稿的编辑理念,是针对1950年代台湾文坛总体呈现出的逃避现实、虚假抒情文风做出的一种反拨,体现为对五四文学写实一面的继承与开拓。在这种编辑理念之下,他大胆使用介入式的编辑方法去删改甚至重写来稿,积极引导和参与小说创作的形式实验。这种"介入式"的编辑方针,集中体现在他对《周末》与《华月庐的秋天》的改写和重写上。此外,夏济安还将这种介入式编辑法引入到小说批评之中,从对彭歌小说《落月》的批评开始,他逐步建立了自己带有强烈介入性的批评风格。
The editing idea of T.A.Hsia to the fiction delivered for Literary Review(1956-1960)was a kind of refutation to the writing style of escaping from reality and false emotion expression emerged in Taiwan literature in 1950 s,which interpreted the heritage and exploration on expressing reality in May 4 th period.Guided by this editing idea,he bravely employed the intervened editing methods to revise even rewrite the delivered fiction,and actively took part in and guided the formal practice of writing fiction,the editorial policy of which had been concentratedly reflected through his revision and rewriting on both The Autumn of Huayuelu and The Weekend.In addition,T.A.Hsia applies this intervened editing method into fiction criticism and gradually established his own criticism style with strong intervention starting from criticizing the fiction of The Fallen Moon by Peng Ge.
作者
张德强
ZHANG De - qiang(School of Humanities, Nanjing Arts University, Nanjing, Jiangsu 210013, China)
出处
《长沙理工大学学报(社会科学版)》
2017年第6期105-112,共8页
Journal of Changsha University of Science and Technology:Social Science
基金
南京艺术学院校级课题(DGZDQLS16)