流行音乐的叙事学研究——以“旭日阳刚”版《春天里》为例

A Study of Popular Music in Narratology——A Case Study of in Spring of "The Rising Sun"

"旭日阳刚"版《春天里》走红和沉寂的原因,需要通过叙事学的视角才能得到更为清晰的认识。与古典音乐有所不同,流行音乐是整体叙事,"旭日阳刚"版《春天里》不仅叙事主体发生变化,而且其本质上是影像叙事而非音乐叙事。流行音乐还是社会叙事,必须结合社会语境对《春天里》进行解读。《春天里》的流行离不开社会心理的支持,也契合了网络的讽刺叙事模式。然而,一旦"旭日阳刚"脱离底层叙事主体身份成为明星,就会被社会叙事抛弃。

It is possible to get a clearer understanding of the temporary popular version of the song In spring sung by ＂The Rising Sun＂ through the perspective of narratology. Classical music is different from the popular music is that the popular music is overall narrative, however, the version of In spring sung by ＂The Rising Sun＂ did not only change the subject of narrative, but also showed that its essence is narrative rather than music narrative. It must be combined with the social context of In spring to understand popular music or social narrative. In Spring cannot be popular without the support of social psychology, but also fit the network of satire narrative model. However, once the ＂The Rising Sun＂ detached from the bottom of the narrative subject identity and became a star, they will be abandoned by social narrative.