20世纪90年代电影中女性身体的形色话语

The Discourse of Female Body in Film in the 1990s

20世纪90年代,中国电影成功驶进产业化的轨道,与此同时,国家提出了弘扬主旋律、唱响主旋律的号召。另一方面,国际电影节的内在规约、国际市场的接受定式也作为一种霸权渗透进了部分中国电影的生产之中。这些不同的权力对此际银幕女性身体的形色话语进行了深刻铭写,使得它们成为不同范式的景观。随着时间的不断推进,各种权力之间的彼此借重、合作互渗日益深化,银幕女体景观背后的政治经济权力指令也日益驳杂。

In the 1990s, Chinese films successfully entered the track of industrialization, at the same time, the leading politics proposed to carry forward the main theme, and call for the main theme. On the other hand, the International Film Festival＇s internal regulation and the international market acceptance also as hegemonic infiltration into the production of some Chinese films. These different powers made a profound description to the screen female body on shape and discourse, making them a different paradigm of the scenery. With the continuous progress of time, the powers learn from each other, increasingly intertwined with each other, the screen behind the body ofthe political and economic power of the instructions are increasingly divergent.