摘要
19世纪的一场关于建筑彩饰的论争颠覆了我们对于古典建筑,特别是古希腊和古罗马神庙建筑的认知。作为建筑理论领域较为后起的一支力量,"德意志"在这一过程中扮演了特殊的角色。本文洋细回顾了这场论争的来龙去脉,各派学说如何卷入其中,又如何在特定的社会机制下推动着事实的逐步揭示,最终达到观念的彻底改变。这一事件直接地影响到现代希腊复兴建筑,甚至也波及到西方的中国建筑史编纂学。
The paper investigates the 19th-century dispute over polychromy that revolutionized contemporary understandings of antiquity, especially ancient Greek and Roman temple structures. The Prussian, Bavarian, and German-born French architects discussed in this paper played a key role in this process, despite ＂Germany＂ as a nation only becoming a driving force in the formulation of architectural theory at a relatively later stage. The paper places the debate within the larger context of the time, subsequently analyzing conflicting theories regarding the highly disputed but undeniable fact of polychromatic classical architecture. This re-visioning of the debate surrounding polychromy of antiquity will serve to improve our understanding of modern Greek revival architecture and even more so, our understanding of Western historiography on Chinese architecture.
出处
《世界建筑》
2017年第11期80-88,共9页
World Architecture
基金
国家自然科学基金资助项目(批准号:51678325)
清华大学自主科研计划(批准号:20151080466)
