八十年代的会议精神与美术创作转向

Conference Spirit and Artistic Creation Turning in 1980s

在1980年代的艺术发展过程中,不同会议在一定程度上体现出当时创作实践中的问题和要求,反过来,会议又促进了创作实践的发展和转型。十一届三中全会后,描绘群众形象的作品备受关注,由此产生了关于《父亲》一作的争论。反精神污染之后,题材决定论成为美术界急需解决的问题,由此引发了关于第六届全国美展的反思。1985年与1986年的两次油画讨论会,提出创作自由的要求,并且关注青年美术家,这在某种程度上进一步推动了80年代后半期美术创作的进一步发展。

In the process of art development in 1980 s, different conferences reflected the problems and requirements in the creative practices to some extent, and accordingly promoted the development and transformation of creative practices. After the Third Plenary Session of the 11 th CPC Central Committee, works depicting the mass images received much concern, resulting in a debate about the painting Father. After the anti-spiritual pollution, theme determinism became the problem need to be solved urgently in the art field, which triggered a reflection on the Sixth National Art Exhibition. The two oil painting symposiums held in 1985 and 1986 raised the requirement of creative freedom and paid close attention to young artists, which promoted the further development of art creation in the latter half of the 1980 s.