摘要
在长篇小说《日夜书》中,韩少功塑造了一位特立独行的女性形象——安燕。当私奔一词的内涵被抽空而变成一种形式,其意义被赋予更多的是一种宣泄和寻找,安燕这一形象便通过三次私奔——家的逃离、农场的逃离、过去的逃离——栩栩如生地展现在我们前面。
In his novel The Book of Day and Night,Han Shaogong shapes An Yan,a female image of independence. As the connotation of elopement has been emptied into a form,it is endowed more with the meaning of catharsis and search. The image of An Yan is presented in front of us vividly by three elopements: her escape from home,farm,and the past.
出处
《绵阳师范学院学报》
2017年第12期78-81,共4页
Journal of Mianyang Teachers' College
关键词
《日夜书》
安燕
私奔
逃离
The Book of Day and Night
An Yan
elopement
escape