《禁闭》之门:基于“他者”世界的“自我”定位

The Door to No Exit——An exploration of seeing oneself in a world of others

一直以来,文学界对于萨特的文学实践给予了特定的关照,并在文学与哲学的跨界阐释中相互捧场。然而,当文学批评背负着形而上的哲学使命跌跌撞撞地攀爬于萨特的"禁闭之门",也许并不是解读萨特文学文本的唯一方法或路径。文本符码就像一座迷宫,但它自身隐含着进出的玄机,细心的读者终会发现这座迷宫的法门:从幽闭空间到三个人的故事模式;从他人"目光"到"镜子"的隐喻;从"他者"世界到"他人即地狱"的图景,萨特以形象的方式为我们阐释了人与人相处时自我身份的定位问题。

For a long time,the literary circles have paid special attention to Jean-Paul Sartre's literary practice,and supported with each other in the literary and philosophical interpretation. However,when interpreting Sartre's literary text it may not be the only way the literary criticism take trouble to expound the significance of Sartre's No Exit with the metaphysical philosophy. The text codes,like a labyrinth,imply the mystery in and out. The careful reader can open the door to the maze from the perspectives of the stories of three characters locked inside a claustrophobic space,the metaphor of the mirror which is replaced by the view of others instead,and the description of"the world of others "and"Hell is other people". By virtue of imagination,Jean-Paul Sartre reveals for us the way to see oneself when getting on with others.