拉维莱特圆厅城关——似是而非的“类型”及其变迁

Rotonde de la Villette: Typological Vagueness and Its Evolution

拉维莱特圆厅城关是18世纪末巴黎城关项目中少数几个留存至今的建筑之一。作为建筑师克劳德-尼古拉斯·勒杜在法国大革命爆发前夕最具代表性的项目之一,它在位置、风格、形式、空间、功能等诸多方面都表现出了古典与现代、外形与功能、空间与结构等诸多方面的类型模糊和似是而非。本文试图通过对巴黎城关项目及拉维莱特圆厅城关建筑的详细分析,以及对此建筑经历历史变迁的考察,一窥18世纪末期建筑设计的复杂性与模糊性。

The Rotonde de la Villette is one of the remaining buildings from the Paris tollgates projects erected at the end of the 18 th century. It stands as one of the most typical works of Claude-Nicolas Ledoux before the French Revolution and demonstrates typological eclecticism and vagueness in the relationship between classic and modern, form and function as well as space and structure. Through a detailed analysis of the Paris tollgates project, the Rotonde de la Villette, and the building＇s changes through history, this article seeks to shed light on the complexity and vagueness in architectural design during the time of the Enlightenment.