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平仄原创家具品牌中的符号学应用研究

Study on the Application of Semiotics of the Pingze Original Furniture Brand
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摘要 自二十一世纪以来,原创家具设计理念在经济迅猛发展与技术不断进步的双重推动下,逐渐呈现多元化的发展趋势。在现代原创家具设计中,如何通晓中西之异,促进中国文化与西方文化的互补交融;适应古今之变,传承中国深厚历史文化中的优越性,进而充分发挥原创家具设计中的文化独创性,满足人们日益增长的多元化审美需求,成为现代原创家具设计中的关键。本文试以平仄家具品牌为例,从符号学的角度对原创家具中符号学的应用进行一定解析。 Since the 21 st century,the concept of original furniture design has been gradually diversified under the dual drive of economic development and technological progress.The keys of modern original furniture design are to know how to understand the difference between Chinese and western so as to promote the complementary integration between Chinese culture and western culture;to adapt the change of times and inherit the advantages of profound history and culture so as to give full play to the original furniture design culture and satisfy people aesthetic demand diversification.This paper,taking Pingze Furniture as example,analyzes the application of semiotics in original furniture from the perspective of semiotics.
作者 李林 刘安琪
机构地区 中南大学
出处 《家具与室内装饰》 2017年第11期22-23,共2页 Furniture & Interior Design
基金 湖南省社科联科研项目(1011337B)
关键词 原创家具 符号学 家具形态 设计 Original Furniture Semiotics Furniture Form Design
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