摘要
江山之助"是刘勰在《文心雕龙·物色》篇提出的一个重要的文学命题,此命题揭示出自然景物通过美的感召作用于诗人的内心,使诗人内心情感动荡,进而发于吟咏,形诸文字。但是,如何把自然景物完美地融入进文学创作中,宋齐以来的诗人多走偏颇之径。刘勰在此篇中揭示了齐宋文学在描写自然景物上的错误,并指出了山水景物描摹的典范,屈原在景物的描绘中融入情的寄托,实现主观与客观的完美统一,是近代诗人应该效法的典范。刘勰欲借屈原的"江山之助"纠宋齐文风之弊端。
Jiangshan ZhiZ hu"is an important literature proposition,proposed by Liu Xie in The Literary Mind and the Carving of Dragons·Wuse.It holds that the beauty of natural scenery inspires a poet’s heart,and makes the poet’s inner feelings unstable.Then this emotion will be expressed in literature.But how do we integrate natural scenes with literature faultlessly?Most poets have gone a wrong way since the period of Song Qi.In this article,Liu Xie reveals the mistakes of Song Qi literature in describing natural scenery,and points out the model of landscape description.Qu Yuan integrates emotion sustenance with the description of scenery,and achieves perfect unity of the subjective and the objective,which is a model that modern poets should follow.Liu Xie wants to correct the disadvantages in literatures from the period of Song Qi by advocating Qu Yuan’s"Jiangshan ZhiZ hu".
出处
《湖北文理学院学报》
2017年第12期63-67,共5页
Journal of Hubei University of Arts and Science
关键词
刘勰
《文心雕龙》
江山之助
屈原
宋齐文风
Liu Xie
The Literary Mind and the Carving of Dragons
Jiangshan ZhiZ hu
Qu Yuan
style of writing in the period of Song Qi