摘要
“诗言体”是中国当代诗歌理论家吕进先生提出来的诗歌理论命题。诗是“得体”的语言艺术,没有“体”就没有“诗”。所谓“体”，就是诗歌的外形，诗歌的骨架，就是看得见，摸得着的那种东西，比如四言、五言、七言，比如格律、声调，就是反对格律声调的自由诗也有属于自己的体，体就是量化的东西。“诗言志”当然没有错，然而，如果没有“诗言体”,就只对了一半,诗歌创作者当然首先得有可以对世人言说的“志”,然而藏在诗人心底的“志”如果找不到“体”，那“志”就没有生命和灵魂，换句话说，只有“体”才能给“志”发放准生证。诗人要尽量多掌握一些诗歌体式,在创作的时候首先要揣摩透他所用的诗体,得体是最紧要的。
Poetry is with its poetic form. This is the poetic statement proposed by LU Jin, a famous poetry theoretician in modem China. Poetry is an art that grows with its form. Without form, without poetry. The poetic form refers to the poem＇s outside shape and its backbone that we could observe and touch. The ancient Chinese poetic form varies from 4 character-verse to 5 character-verse and 7 character-verse with strict rythming and rythming rules. The free verse is also a poetic form. Poetry is an art that expresses the poetic feeling, but it is half correct without saying that poetry is an art that grows with its form.
