虚构的真实:1980年代先锋作家真实观

The Fictional Truth—The Truth Concept of Vanguard Writers in the 1980s

传统现实主义文学真实观对"文学反映现实"的强调包含了对文学的依附性理解,认为文学须依附于现实而存在。1980年代,先锋作家对"现实""真实"的理解突破了文学反映论的理论框架,他们在对"真理化真实观"的反思过程中,建立了一种强调虚构的真实观。先锋作家将"现实""真实"内化到个体精神世界,突出了文学真实的个体性;同时认为文学真实是一种技艺的真实,重视真实与"虚伪的形式"之间的关联。先锋作家将文学真实最终建立在形式、技巧之上,以莫言"独特的腔调"、余华"内心之死"为代表的对叙述技巧的探索使他们"虚构的真实"得以可能。

The emphasis of the truth concept in traditional realist reality＂ includes the understanding of dependence on literature and the literature on the view that ＂literature reflects idea that literature must be attached to reality for its existence. In the 1980s, with their understanding of ＂reality＂ and ＂truth＂ breaking through the theoretical framework of the theory of literary reflection, vanguard writers managed to establish a truth concept emphasizing faetiousness in the process of their reflection on ＂the truth-oriented concept of reality＂. The vanguard writers have internalized ＂reality＂ and ＂truth＂ into the individual spiritual world, thus highlighting the true individuality of lit- erature. Meanwhile, they believe that the literary truth is a kind of technical truth, thereby valuing the relationship between truth and ＂the form of hypocrisy＂. Having ultimately based literary truthfulness on the form and skills, vanguard writers have managed to make their ＂fictional reality＂ possible represented by Mo Yan＇s 41;