匡谏之义与时势衍异--黄节《诗学》对《文心雕龙·明诗》之发用

The Meaning and the Times of Kuang Yi:Differences and Similarities in the Development of“Wen Xin Diao Long”and“Ming Poetry”

黄节号称为"岭南诗宗"(1),是民国初年重要的古典诗人之一,其《诗学》一书撰写体例、形式与传统"丛残小语"或语录体的诗话迥不相侔,前后体系完整,用以论述中国诗学流变,内含七小节,依时代排序,撮其精义,可归纳为"诗义"、"诗辞"、"诗用"、"诗史"开展诗学观点,究竟此四维度与《文心雕龙·明诗》关涉如何?盖《明诗》为中国最早阐发诗学重要理论之一,内含诗学渊源、流变、诗之效用、品评诗人、诠评时代风格等内容,而黄节《诗学》全书有四轴线,其中,"诗义"论诗之谲谏,"诗辞"论句式流衍变化,"诗用"论诗歌分期进化之运用,而"诗史"则总览历代诗歌之发展,揭示名家名作,标举风格。据以探论二者之关涉,冀能考察身处清末民初的黄节,如何援用《文心雕龙·明诗》篇作为潜在纹脉,开展宏阔中国诗歌史之论述,进而探查其论述意图。

There are four axes in the＂Festival of Poetics＂in the Festival of Huang Festival（黃節）.Among them,the poetic commentaries on poetic poems,the changes of sentence patterns in ＂Poetry Ci＂,the＂poetry＂Overview of the development of ancient poetry,this and the＂Wen Xin Diao Long＂（文心雕龍）,＂Ming Poetry＂is consistent or another invention？Based on the discussion of the two,this article attempts to examine Huang Festival（黃節）in the late Qing Dynasty and the early Republic of China.How to invoke＂Wen Xin Diao Long＂（文心雕龍）and ＂Ming Poetry＂as potential lines to elaborate the history of Chinese poetry explore its intent.