赋体文学中的特殊书写——清前赋作中的天山意象刍议

The Special Myth Writing in Fu's Literature——Discussion on the Imagery of Tianshan Mountains before the Qing Dynasty

作为坐落于远离主要文化场域与核心政治环境之外的西域自然物象,天山无疑具有重要的文化象征意义;在清前不同时期内所产生的赋作中,天山亦作为文学意象而屡被提及。不同于因与神话之间存在天然联系而具有超逸脱俗、幻奇神圣等特性表征的昆仑山,出现于赋作之中的天山意象内容上多叙历史现实、风格上偏于苍凉豪壮,展现出了独特的文学面貌。应该说,这种现象的出现主要源自以昆仑山、天山为本原的神话思维所具有的不同发展过程,同时又受到游仙类文学的现实化、理性化进程的影响。

As a natural object located in the western region which is far away from the main cultural field and core political environment of the Chinese empire,Tianshan undoubtedly has important cultural symbolism,Tianshan is also mentioned many times as a literary image in the work produced in different periods of Qing dynasty.Different from the Kunlun mountains which have a natural connection with myth and divine features such as magic and fantasy.Most content appeared in the poetry of Tianshan image shows the Syria’s historical reality.The style is more desolate so to demonstrate the unique literary landscape.It should be said that the emergence of this phenomenon is mainly originated from the different primitive thinking development process of the myth of the Kunlun mountains and Tianshan mountains,at the same time,influenced by fairy class of realistic literature and the rationalization process.