摘要
唐代以来,由李隆基与杨贵妃的"李杨爱情"衍生出了不同版本、不同体裁的文学经典,不同历史时期的李杨故事大都交织了爱情主题与历史垂戒、道德臧否与美学同情等范畴的意味。在这其中,杨贵妃的形象历来褒贬不一,在作者—文本—读者-社会这一文学链条上,杨贵妃的文学形象形成了一个复杂的语义场。对于杨贵妃文学形象历史变迁的探究,不仅是对作者其人和观众心理的深层挖掘,更能部分映射出时代思潮和文化生态特征,进而完成对杨贵妃文学形象经典化历程的探索。
Since the Tang Dynasty,Li Yangji and Yang Gui-chang’s"Li Yang’s Love"has derived different literary genres of different genres.Li Yang’s stories in different historical periods are mostly interwoven with the themes of love and history,the morality and the aesthetics Sympathy and other areas of meaning.Among these,the image of Yang Gui-tian has always been mixed.On the literary chain of author-text-reader society,Yang Guifei’s literary image has formed a complex semantic field.Exploring the historical changes of Yang Guifei’s literary images not only digs deep into the psychology of the author and his audience,but also partly reflects the trend of thoughtsin the times and the characteristics of the culture and ecology,thus completing the exploration of the classic course of Yang Guifei’s literary images.
出处
《语文学刊》
2017年第6期111-116,共6页
Journal of Language and Literature Studies