《洛阳伽蓝记》的美学史价值

The Aesthetic Historical Value of Luoyang Qielan Ji

《洛阳伽蓝记》是研究北朝美学的重要历史文献。作为写景文,它是城市文学丘墟审美的经典;作为美学史料,它对北魏时期民族与文化大融合背景下城市、艺术与文化等维度的多元审美观念融合有着充分的展现,进而在整体上呈现了北魏洛都的生存状态。但因城市审美研究视角的阙如,《洛阳伽蓝记》在城市丘墟审美类型与城市美学史中的价值被遮蔽;因美学理论史研究范式强调美学史料具有相当的理论品格,它由于自身不属于理论著述而没有被纳入中国美学理论史的研究视域。可这并不意味着对《洛阳伽蓝记》美学史价值的否定,若从城市美学史考察,便会呈现它凸显城市丘墟审美类型的价值;若从审美观念史研究范式重新提问,便会呈现它对研究北朝审美观念融合的美学史料价值。

Luoyang Qielan Ji is an important historical document on the Northern Dynasties aesthetics. From the view of prose,it is a classic of ruins aesthetics in city literature. From the view of aesthetic historical materials,it displays the fusion of multiple aesthetic ideas on city,art and culture under the background of the integration of nations and culture in the Northern Wei Dynasty. On the basis of these,it presents the living state of Luoyang in Northern Wei Dynasty on the whole. But for the lack of the perspective of urban aesthetics,the value of Luoyang Qielan Jiin city ruins aesthetics and urban aesthetics was covered. Because the research paradigm of aesthetic theory history emphasizes the theoretical quality of research object,Chinese aesthetics history has not paid attention to Luoyang Qielan Ji for it doesn't belong to theoretical works. However,this does not mean the negation of its value of aesthetic history. If it is put in the urban aesthetics history,the values of city ruins aesthetics will be highlighted; if it is re-questioned in terms of the research paradigm of aesthetics concept history,the values as aesthetics history materials about the integration of multiple aesthetic ideas in Northern Dynasties can be presented.