台湾客籍匠派传统建筑彩绘及其美学特征

The Traditional Architectural Colored Paintings and Aesthetic Characteristics of Taiwan Hakka Painting

传统建筑彩绘之发展在台湾已有历史,日据至战后时期,各区域均有彩绘能手,客籍匠司风格源于潮州,具有独立的师徒传承系统,其匠派具艺术价值与历史价值。该文讨论客籍彩绘匠派进入台湾源流、师承过程,结合客籍彩绘匠派的建筑彩绘,论析其美学特征,对于分析其地域性、文化性、时代性之审美文化内涵,揭示其审美价值,并验证文化地域性格理论,以期为传统建筑彩绘归纳出特殊彩绘匠派提高参考。

The architectural painting in traditional architecture have developed for a period of time in the history of Taiwan. There were dozens of masters and gurus over the territory since the period of “Japanese occupation” till the “Postwar period” of Taiwan. Hakka craftsman style originated from Chaozhou, with an independent mentoring system, the artisan had artistic and historical value. In the article, we discussed the Hakka painting＇s origin,apprenticeship process. Combining with the architectural painting, we analyzed the aesthetic culture connotation of its regionalism, culture and times, then revealed its aesthetic value and verified the theory of cultural regionalism, so as to provide reference for special colored paintings.