“被遮蔽”的空间:贾平凹的语象叙事

Space Covered:Ekphrasis in Jia Pingwa's Novels

语象叙事是对传统主体线性结构与时间叙事模式的反叛和颠覆,并为视觉书写和意象再现提供更为开阔、更加精准的空间视点。贾平凹的小说蕴含着明显、独特而复杂的语象叙事痕迹,其作品描绘的一幅幅连续性、生活化和语境化的乡土场景,以语赋形于现实的千姿百态,实现被"遮蔽"乡土空间的语象再现与叙事重构。作为当下乡土文学的旗帜型作家,贾平凹个性化的创作实践不仅是对乡土审美观照方式的根本转变,也是对空间记忆基点的深度寻找,更是对文学叙事转向的积极探索。

Ekphrasis is a kind of method to rebel and overturn traditional linear structure and time narrative model,and provides a wider and clearer spacial view of visual writing and image reappearance. There exists ekphrasis in the novels of Jia Pingwa,and its novels depict a lot of continuous,lifelike and context-oriented local scene,which makes it possible that real local space is presented by words. As one of the leading writers in local literature,Jia Pingwa's personalized literary creation changes ways of thinking about home village and looking for the memory basis of local space,and actively explores the turn-around of literary narrative.