论传记电影中的“父名”与俄狄浦斯情结

On “Father's Name”and Oedipus Complex in Biography Films

从精神分析学的角度,力求深入的论述传记电影中呈现的"父名"与父子关系及其体现的俄狄浦斯情结。传记电影的核心魅力在于其可精神分析性,及对于传主深层精神体验的揭示和暗示。通过父名与父法对于无意识的揭示力量、父与子围绕父名进行的冲突与和解、子一代与父名关系体现的意识形态进化等方面论述传记电影的可精神分析性,父子关系成为一个很好的无意识载体,从中可以感受到传主丰富的心理层面,而且成为社会的隐喻和象征,同时二者关系的探索也增强了传记电影的文化价值。

From the perspective of psychoanalysis,the author discusses in depth “Father’s N a m e ”,the relationship between fathers and sons and the Oedipus complex presented in biograpng films. Thecharm of biography films lies in its psychoanalysis, and in revealing and suggesting the protagonistT sdeep spiritual experiences. The paper discusses the psychoanalysis of biography films from such aspectsas the revealing power of FatherT s N a m e and FatherT s Law on the unconsciousness, the conflictand reconciliaton around FatherT s N a m e between farthers and sons, the ideological evolutionembodied in the relationship between sons and FatherT s N a m e ,etc. The relationship between fathersand sons becomes a good unconscious carrier,from which we can feel the rich psychological level ofthe protagonist, and it becomes the metaphor and the symbol of the society, meanwhile, the explorationof the relationship between the two can enhance the cultural value of biography films.