摘要
在中国和越南长达数千年的朝贡关系中,越南使臣留下了32份关于花山岩画的文献资料。花山岩画属于文化景观,这是一种介于自然遗产和文化遗产之间,人文与自然相结合的特殊遗产。据史料记载,越南的使臣门槛很高,多为越南功名显赫的著名文臣,他们拥有越南当时文化精英的最高水平。由他们留下的这些文献以诗歌的艺术形式为主,也有散文、日记和图画等形式。这些文献资料学术性与艺术性相互交融;且在承前启后的记述历程中掀起了关于"黄巢遗迹说"的学术争鸣,并提出了一些宝贵的学术探索理论,从而为我们深入广泛地研究越南文化提供了宝贵的异域视角。
During the thousand years of tributary relationship between China and Vietnam,Vietnamese envoys left 32 copies of archives on Huashan rock painting. Huashan rock painting is a cultural landscape,which is a unique heritage combining humanities and nature and is thus between natural heritage and cultural heritage. According to historical records,the threshold of the selection of Vietnamese envoys was very high so that most of them were famous civilian officials with noticeable contributions. They were cultural elites with the highest education at that time in Vietnam. Those archives are mainly in the artistic form of poem,some other are in the forms of essay,dairy and painting. The academic and artistic values are rich in these archives. In particular,during the linked narrations there is an academic dispute of ＂Huangchaos sites＂,which provides valuable academictheoretical exploration. These archives also facilitate a special foreign perspective to examine Vietnamese culture specifically and comprehensively.
出处
《民族艺术研究》
2017年第6期114-121,共8页
Ethnic Art Studies
关键词
花山岩画
越南使臣
黄巢遗迹说
异域视角
学术价值
Huashan rock painting
Vietnamese envoys
discussion of Huangchaos site
foreign perspective
academic values
