“平台与高岗”——伍重建筑中的跨文化地景及其精神体验

Platforms and Plateaux:The Transcultural Landform and Its Spiritual Experience in Utzon's Architecture

在以往国内对丹麦建筑师尤恩·伍重(J?rn Utzon)的作品研究中,其富有表现力的屋盖及建构(Tectonic)特征被一再讨论,并与中国传统建筑乃至《营造法式》联系起来。相比之下,伍重建筑中极具特质的地景般的平台基座却少有关注,与之相关的重要的论文"平台与高岗:一位丹麦建筑师的思考"也少有人问津。在笔者看来,这正是伍重设计思想的起点,建筑精神体验的基石,同时也是一种对待传统的独特认知,即跨文化视角,而非地域主义。本文将呈现伍重的建筑如何植根于大地的"平台与高岗"之上,唤起建成环境中"城市之冠"的升华感,以构建建筑中的精神感悟和宇宙观念。文章试图通过这样的解读,进一步揭示伍重作品中隐匿的精神线索,以促进当代建筑实践中对自然与人工、远古与现代、本土与跨文化这一系列二元关系的重新思考。

In the past study of J？rn Utzon＇s architecture, the expressive roof and its tectonic has been repeatedly discussed, and linked to the traditional Chinese architecture even the Treatise on Architectural Methods（Yingzaofashi）. In contrast, the extremely characteristic platform in Utzon＇s architecture has been totally neglected, and his related essay ＂Platforms and Plateaux：Ideas of a Danish Architect＂. In the author＇s view, this is the outset of Utzon＇s ideas, the foundation of his architectural spirit experience, and also the source of his transcultural perspective different from the regional understanding of tradition. This article will review how Utzon constituted his architectural spirit through his ideas from＂ Platforms and Plateaux＂ to ＂The City Crown（Die Stadtkrone）＂. Through the interpretation, this article attempts to reveal the spiritual clues in Utzon＇s modern architecture, and will promote our contemporary practice to rethink the relationship between nature and artificial, ancient and present, local and transculture.