川工木雕镇江王菩萨及其文化表征

The Sichuan wood carving process Zhenjiang king bodhisattva and it's cultural representation

从川工木雕镇江王菩萨的形象来看,其所承载的民间信仰与塑像特点较为独特,做为武将他的形象是少见的"俊男",所执法器也是多种多样的,最独特的是多数木雕镇江王菩萨像的头盔是活动的,可以卸下来。镇江王菩萨在保留最初的文化表征基础上,是传统文化的遗存,是现实生活、情感诉求和审美理想的表现。镇江王木雕的人物形象、服饰、法器、装饰和动物等方面既是艺术的表现,也是实用功能的偶像。木雕镇江王菩萨是社会状态的重要表征,也是大众文化、大众审美的表征。

From the image of the bodhisattva of Zhenjiang king, the folk belief and sculpture characteristics are unique. As a martial arts, his image is a rare ＂handsome man＂, with various kinds of instruments, the most unique is that most of the bodhisattva＇s helmet is active and can be unloaded.Based on preserving the original cultural representation, Zhenjiang king bodhisattva is a legacy of traditional culture and a manifestation of real life, emotional appeal and aesthetic ideal. The characters, costumes, instruments, decorations and animals of Zhenjiang king are both the expression of art and the role of practical function.The wood carving Zhenjiang king bodhisattva is an important representation of the social state, and is also a representation of popular culture and public aesthetics.