摘要
《乐记》是先秦时期最具代表性的音乐教育著作,其系统地阐述了儒家传统的礼乐文化,充分展现了中华传统音乐文化品格。主要表现在对"音"与"乐"缘起的阐述,体现了朴素唯物主义价值观;认为"乐"是由人与自然的和谐互动而产生,表明了辩证唯物主义思想;将"声""音""乐"的逻辑关系上升到人伦的音乐伦理学观点;"礼"与"乐"异同的分析,展现了礼乐文明的音乐政治观。在世界多元文化背景下,接受外来音乐陶冶的同时,要充分认识中华传统音乐文化的独特性,体现中华传统音乐文化品格。
As the most representative works of music education in the Pre-Qin period, Yueji systematically elaborates the traditional Confucian rite and music culture and fully demonstrates the culture characters of traditional Chinese music. Its explanation on the origin of "sound"and"music"reflects naive materialistic values; "Music" is the product of the harmonious interaction between human beings and nature, which reflects dialectical materialism; The logical relation among"voice", "sound" and "music" is promoted to musical ethnics of human relations; The analysis on the similarities and differences between rite and music shows the musically political outlook of rite and music culture. Under the background of global multiculturalism, the distinctiveness of traditional Chinese musical culture should be fully realized and its culture characters should be fully embodied as well as the cultivation of exotic music.
出处
《内蒙古大学艺术学院学报》
2017年第4期26-29,共4页
Journal of Art College of Inner Mongolia University
基金
2016年国家社科基金一般项目<内蒙古地区蒙传和汉传佛教仪式诵经音乐跨文化比较研究>(项目编号:16BZJ018)系列论文