论《青藏词典》的形式创新

On the Form Innovation of the Qinghai-Tibet Dictionary

格绒追美有很强烈的创新追求,其小说文本形式别具一格,不断出新,具有独特的品格。《青藏辞典》用词条式叙事的新颖形式来表现藏地人生,这种辞典式设计挑战着文本的完整性,打断了故事情节、人物事件的连续性,重构和突出了藏地文化逻辑。《青藏辞典》将显性叙事和隐性叙事有机配置,多叙事主体交错出现,现实与神幻相互碰撞,呈现出了独特的神幻美。格绒追美在《青藏辞典》中还着力开掘记忆的深层功能,在梦幻与现实之间构建各种隐喻关系,意在昭示藏地本土记忆的独特性和值得珍视的品格。

Gerong Zhuimei has a strong pursuit of innovation, and his novel has a unique form of text, a new style, and has a unique character. The Qinghai-Tibet Dictionary shows the Tibetan life in the novel form of word bar narrative. This kind of lexical design challenges the integrity of the text, interrupts the continuity of storylines and character events, reconstructs and highlights the logic of Tibetan culture. The Qinghai-Tibet Dictionary combines the dominant narrative and the recessive narration, the staggered emergence of multiple narrative subjects, and the collision between reality and mental illusions, presenting a unique magical beauty. Gerong Zhuimei in Qinghai-Tibet Dictionary focus on digging deep memory function, build various metaphorical relationship between dream and reality, it is intended to show the uniqueness of the local memory of the Tibetan lands and the precious character to be cherished.