摘要
《The Dance》、《False Love》选自埃尔加的合唱套曲《Scence from the Bavarian Highlands》。此作品是埃尔加夫妇游玩巴伐利亚高原之后,有感而发创作的合唱作品。《The Dance》、《False Love》位于套曲之首,前者以丰收的季节为背景来描绘人们沉浸在此环境中,所表达的一种喜悦之情;后者用抑郁的色调来描绘作者对待爱情的一种态度和感悟。文章将《The Dance》、《False Love》作为分析对象,从音乐本体和创作技法的角度去考索作曲家的创作理念,力求完整、准确地诠释作曲家的本意,从而为两首作品的演唱与指挥提供一些有益的启示。
"The Dance"," False Love "from Elga 's choir "Scence from the Bavarian Highlands". This work is Elgar couples play the Bavarian plateau,the sense of the creation of choral works."The Dance","False Love"is located in the first song,The former to the harvest season as the background to depict people immersed in this environment,the expression of a joy; The latter with the tone of depression to describe the author's attitude towards love and sentiment. The article "The Dance","False Love"as the object of analysis,from the perspective of music ontology and creative techniques to study the composer's creative ideas,and strive to complete and accurate interpretation of the original intention of the composer,The works of singing and commanding provide some useful revelation.
出处
《安徽冶金科技职业学院学报》
2017年第4期72-74,共3页
Journal of Anhui Vocational College of Metallurgy and Technology
