论民族芭蕾舞剧《八女投江》的身体审美意象

On the Body Aesthetic Image of the National Ballet Eight Women Fighters

在近几年非常流行的跨领域、跨文化的舞蹈创作中,出现了大量脍炙人口的优秀作品。其中就包含中国辽宁芭蕾舞团创作的民族芭蕾舞剧--《八女投江》。笔者在观赏此部舞剧后发现,作品中的民族身体形式与芭蕾身体形式之碰撞,芭蕾身体形式与舞剧表现中华民族情感内容之交织,令人深感不同身体语言相互融合之奥妙。在舞剧《八女投江》的身体形式与表现内容中,无处不再现出中西方身体文化浑然一体、水乳交融的创举和新意。首先,对民族芭蕾舞剧《八女投江》的中西方身体文化交融的"形式美"进行探索,并从中找出二者身体融合的意象美感与创作价值。其次,再对舞剧《八女投江》中所表现出的中华民族情感与西方芭蕾语言的运用进行再探讨,以便在《八女投江》中,获得一个内容与形式交融的身体审美意象。

Interdisciplinary and cross-cultural dance creations are very popular in recent years; there is an emergence of a large number of outstanding and acclaimed works. Among them, in the Chinese-style of ballet, is the work Eight Women Fighters by the Liaoning Ballet of China. After watching this Chinese-style ballet, the collision between the form of the body in Chinese culture and the form of the ballet body, and the interweaving between this form of the ballet body and the performance of the emotional content of the Chinese culture, made the researcher surprised about the profound integration of different body languages. The body form and content, in the ballet Eight Women Fighters, appear as a creation of originality, one which integrates the Chinese and western culture of body. In this paper, the researcher makes this study through two aspects Firstly, the researcher will explore the “form beauty” of the Chinese and western body culture in the Chinese-style ballet Eight Women Fighters, and excavate the aesthetic delight and the value of the creation in the Chinese and western body fusion. Secondly, the researcher will discuss the expression of Chinese cultural sentiment in the application of the western ballet language in Eight Women Fighters, in order to define the aesthetic image created through the blending of content and body form.