摘要
扬州的杖头木偶、闽南地区的泉州提线木偶与漳州布袋木偶,作为中国传统木偶艺术的代表,均被列为国家级非物质文化遗产,她们有着悠久的历史溯源、典型的造型特征和独特的文化内涵,其文化艺术价值有目共睹,但它同多数"非遗"一样都面临传承的困境。厘清木偶艺术产业发展的现状、进行创新发展的策略研究迫在眉睫,"在传承中创新、在保护中发展"成为当代民间木偶艺术传承与开发的方向。
The stick puppets in Yangzhou , the Quanzhou marionettes in the south of Fujian Province and the hand puppets in Zhangzhou are all listed as the intangible cultural heritage of China as traditional Chinese puppet art . They all have long history , typical mode ling features and unique cultural connotations , and their cultural and artistic values are well known . However , it faces the inheritance dilemma like most “the intangible cultural heritage”. To clarify the current situation of the development of the puppet art industry , it is imminent to study the strategy of innovation and development . “Innovation in inheritance and development in protection” has become the direction of the inheritance and development of contemporary folk puppet art .
出处
《吉林艺术学院学报》
2017年第6期79-86,共8页
Journal of Jilin University of Arts
基金
江苏省高校哲学社会科学研究基金项目"非物质文化遗产中民间木偶艺术的创新发展研究--以扬州
闽南木偶为重点"成果(2016SJD760127)
第三期江苏省职业教育教学改革研究课题"高师学前专业教玩具设计教学对民间艺术的传承与创新研究"(ZYB214)阶段性成果
关键词
民间木偶
艺术产业
发展现状
创新策略
folk puppet
art industry
development status
innovation strategy