歌德《西东合集》中的形态学思想

The Morphological Thought in West-stlicher Divan of J.W.Goethe

诗人歌德一生有五十多年坚持不懈地研究自然并有大量著述,这对他的文学创作产生了或隐或显的影响。他在研究植物形态变化的过程中形成了独特的生物形态学思想。其基本概念"形变"后来成为歌德描述自然界一切形态生成与变化过程的专用术语,成为他解读自然界里一切现象的锁钥。本文初步探析了歌德形态学思想在其晚年杰作《西东合集》的结构和内容上的体现。

Having studied nature persistently for more than 50 years,Goethe has a great number of natural science writings,which influence his literary creation — sometimes explicitly and sometimes implicitly.In the study of plant morphological changes,he has developed a unique biological morphology,of which the basic concept of"deformation"later becomes a special term to describe nature's making and changing of all forms,and it has come to be a key for Goethe to interpret all the natural phenomena.This paper explores the embodiment of the structure and content of Goethe's morphology in his later masterpiece West-stlicher Divan.