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审美资本与中华工匠文化的培育 被引量:3

Aesthetic Capital and Cultivation of Chinese Craftsman Culture
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摘要 布迪厄的文化资本概念大大丰富和拓展了西方经济学对于资本概念的理解。不但如此,文化资本概念的提出对于体验经济时代的设计文化研究也将是一份极富启发性的思想资源。作为文化资本重要组成部分的审美资本同样离不开其赖以生长的民族文化语境和场域。民族文化语境和场域的营造与建构不但对于中华工匠文化的培育来说意义重大,而且在体验经济时代,它还关乎中华民族乃至全人类的命运和前途问题。 Bourdieu's concept of cultural capital has greatly enriched and expanded the concept of capital in western economics.Besides,it will also be a great enlightenment for the research of design culture in the era of the experience economy.Similarly,as an important part of cultural capital,the aesthetic capital cannot be separated from its national cultural context and field.The construction of the national cultural context and field not only plays a significant role in the cultivation of the Chinese craftsman culture but also decides the fate and future of the Chinese nation and even those of all mankind in the era of the experience economy.
作者 李清华
出处 《同济大学学报(社会科学版)》 CSSCI 北大核心 2017年第6期70-75,共6页 Journal of Tongji University:Social Science Edition
基金 国家社会科学基金重大项目"中华工匠体系及其传承创新研究"(项目编号:16ZD105) 浙江传媒学院人才引进科研启动项目"人类学与中国当代设计批评"(项目编号:Z301B15504)
关键词 工匠文化 文化资本 民族文化语境 审美资本 体验经济 craftsman culture cultural capital national cultural context aesthetic capital experience economy
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  • 1Jean Baudrillard, The Transparency of Evil, Essays on Extreme Phenomena, trans. James Benedict, London & New York: Verso, 1995 p. 11. Ibid., p. 14.
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  • 6Mike Featherstone, Consumer Culture and Posfmodernism 2nd edition (the 1st edition appeared in 1991), London:Sage, 2007, p 64.
  • 7Mike Featherstone, Consumer Culture and Posfmodernism 2nd edition (the 1st edition appeared in 1991), London:Sage, 2007, p 66-67.
  • 8Mike Featherstone, Consumer Culture and Posfmodernism 2nd edition (the 1st edition appeared in 1991), London:Sage, 2007, p 67.
  • 9Mike Featherstone, Consumer Culture and Posfmodernism 2nd edition (the 1st edition appeared in 1991), London:Sage, 2007, p 68.
  • 10Jean Baudrillard, The Transparency of Evil, Essays on Extreme Phenomena, p.4.

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