李白之“兴”

The 'Xing' Ideology of Li Bai

盛唐诗歌以"兴象玲珑"著称,唐代诗人所谈及的"兴"已经不同于《诗经》传统中"六义"之一的"兴","兴"意的发展演变是一个从侧重于理性地借物托情(志),到侧重于感性地遇物兴情的过程。而李白就是这一转变过程典型的体现者。李白对"兴"的独特发扬在于:其诗歌天才与江山风物相互感召之下那种灵感迸发式的"遇物兴情",其"情"并非传统儒家家国情怀之典重敦厚,而是飘逸而坎壈的"谪仙人"之情。

The Tang poetry is known for its ＂Xing ＂as＂ exquisite image ＂, while it is different from the ＂Xing＂ of the ＂Book of Songs＂. In the ＂Book of Songs＂, ＂Xing＂ means rational use of things to express affections. Then the ＂Xing＂ has been shifted to focusing on revitalization of emotion with sensibility. Li＇s poetry is the typical embodiment of the transformation. The uniqueness of ＂Xing＂ in Li Bai＇s poetry lies in the mutual interaction of the inspirations of his poetic genius and landscape scenery. The affections he expressed is not the traditional Confucian sentiment towards the nation, but elegant and pathetic feeling like an ＂exiling fair＂, which integrated with the spirits of the immortal, savior and refined scholar.