从布洛“心理距离说”看《世说新语》的审美特点及张力

The Aesthetic Characteristics and Tension of A New Account of World Tales from the Perspective of Bullough's “Psychical Distance”

布洛"心理距离说"创造性地提出作为美学概念和理论形态的"距离",并指出其在审美过程中的重要意义和作用。在"心理距离说"的审美视角下,通过对《世说新语》编撰者意图、时空设置和文体之争这三个方面的体察和思考,探寻《世说新语》的审美特点;并将"心理距离说"与"入出说"作比较,批判性地将心理距离纳入关于人生态度和精神力量的讨论,从而体察魏晋士大夫的自由力量与张力,同时也指出于现世反观自身的可能性与必要性。

In the theory of ＂Psychical Distance＂, Edward Bullough creatively puts torward the concept ol ＂distance＂ as an aesthetic idea and theoretical form, and points out its significant effect on the appreciation of beauty. From an aesthetic perspective of ＂Psychical Distance＂, this essay discovers the aesthetic characteristics of A New Account of World Tales by discussing three aspects including the intention of the compiler, spatio- temporal settings and the argument of style. Besides, through a comparison between ＂Psychical Distance＂ and ＂Input and Output Theory＂, the former theory is taken into consideration in the context of life attitude and spiritual strength. This essay aims to illustrate the freedom and tension of scholar-officials in Wei-Jin period and point out the possibility and necessity of self-inspection.