明清仕女画对转变期陶瓷五彩仕女题材装饰的影响

Influence of Lady Portraits in Ming and Qing Dynasties on Enamel Paintings of Ladies during the Transitional Period on Ceramics

转变期陶瓷五彩仕女题材装饰主要受到明清仕女画的影响:仕女样貌都为瘦削柔弱女子之形象,画面背景复杂丰满突出人物情感,设色不同于明代五彩艳丽鲜明而变为协调雅致,少数装饰中还有模仿明清仕女画工笔重彩的效果。明清仕女画之所以对转变期陶瓷五彩仕女题材装饰有如此深刻的影响,由当时社会喜好所决定。世俗的审美情趣造就了明清仕女画特有的审美表现,符合市场审美需要的仕女画成为了转变期陶瓷装饰适宜市场追求利润的最好借鉴对象。

The overglaze enamel paintings of ladies during the transitional period were mainly exposed to the influence of the lady portraits of Ming and Qing Dynasties. The ladies were usually portrayed as slim and delicate and set in the intricately depicted scenes that reflect their subtle feelings. Different from the bright gaudy palette of Ming Dynasty, their colors are more graceful and harmonious. Some enamel paintings even adopted the meticulous brush technique of the Ming-Qing Dynasty lady portraits. The profound influence of the lady portraits on the enamel paintings of ladies during the transitional period should be ascribed to the prevailing taste of the society then. The aesthetics of the people decided the expressive features of the art. Lady portraits that satisfied the aesthetic needs of the market set the best examples for ceramic decorations during the time to follow in order to benefit most from the market.