论文化诗学的审美研究

On the Aesthetic Research of Cultural Poetics

文化诗学坚持文学的审美性研究,坚持文学以其审美性构成其自身本质,从而在文化的大系统中表现出不可替代的属性和地位。但与以往不同的是,文化诗学研究不以文学审美表现形态为研究宗旨,而是从审美相对性的角度出发,把文学的审美性看作是与文本及其语境同时出场的生成物。文化诗学把文学的审美形态与文化建构联系起来,把审美创造还原成特殊的文化事件放在文化的整体中,思考探寻它的发生及其走向。为此,文化诗学的审美研究必然不能回避对审美的感性体验与理性升华、审美的功利性与非功利性、生活审美化与审美生活化三种关系与问题的讨论。

Cultural poetics insists on the aesthetic research of literature,adhere to the aesthetic aspect of literature to constitute its nature, therefore, cultural poetics shows up its irreplaceable attribute and status in the large-scale system of culture.Unlike what it used to be,cultural poetics research does not target on aesthetic expression forms of literary as the study aim, but from the perspective of aesthetic relativity, regards the aesthetic character of literature as the products which emerge together with the text and its context. Cultural poetics makes a connection between literary aesthetic forms and cultural construction,reverts the aesthetic creation to a special cultural events and then puts it into the entire structure of culture to reflect and seek its appearence and direction. Therefore, the aesthetic study of cultural poetics could not avoid the discussion on three kinds of relations and questions=perceptual experience and rational sublimation of aesthetics, utilitarianism and non--utilitarianism, the aestheticization of life and aesthetic living.