舒伯特晚期钢琴音乐中的“时间”意象——以《降B大调奏鸣曲》(D.960)第一乐章为例

The “Time” Image in Schubert's Late Piano Music——A Case Study of the First Movement of Sonata in B-flat Major,D.960

《降B大调奏鸣曲》(D.960)是舒伯特创作生涯中的最后一部钢琴作品,也是其晚期风格的代表作,一定程度上映照了舒伯特在面对死亡阴影时有关时间的感受和思考。文章着力于探究该作品第一乐章在微观(聚焦于休止符和延长音记号)和宏观(聚焦于调性布局)两个层面上的"时间"意象,意图从音乐形式中解读人性内涵,增进对舒伯特晚期风格及其思想蕴意的认识。

Sonata in B--flat major, D. 960 is Franz Schubert＇s last major composition for the piano, a masterpiece representing his later style. The music reflected the composer＇s feelings and thoughts about time when he was living in the shadow of death.This study explores the ＂time＂ image from both the micro （focused on rests and fermatas） and macro （focused on tonal arrangement） perspective with an aim to interpret the connotation of humanity in the music and to provide more insight into Schubert＇ s later style and its implications.