摘要
在封建贵族没落,新兴阶级势力上升的变革时代,莫里哀描绘出答尔丢夫伪善、狡诈、狠毒、贪婪的形象特点,深刻揭露了路易十四时期教会和贵族上流社会的本性,批判了宗教的欺骗性。《伪君子》中答尔丢夫的多样性,为进一步探讨《伪君子》的艺术成就和现实意义提供了视角。
In the reform era of the decline of the feudal lords and the rising power of the emerging class,Moliere depicts Tartuffe's hypocrisy, cunning, cruel and greedy features, profoundly reveals the nature of the church and the aristocratic society during the Louis 14 th period, and criticizes the deception of religion. The diversity of Tartuffe in Hypocrite provides a perspective for further discussing the artistic achievements and practical significance of Hypocrite.
出处
《重庆电子工程职业学院学报》
2017年第6期93-95,共3页
Journal of Chongqing College of Electronic Engineering