论《资本论》的审美终极视域

On the Ultimate Aesthetic Horizon in Marx's Capital

在经济批判的表层视域之下,《资本论》还隐含着马克思一以贯之的审美视域。马克思对资本主义的经济学批判建立在审美批判的基础上,审美批判构成了马克思资本主义批判的起点,贯穿了资本主义批判的整个进程,并成为资本主义批判的最终归趣。马克思的审美批判主要围绕异化、拜物教和自由支配时间等展开,与经济学批判相表里,最终把经济学批判升华为审美批判,汇入人的全面发展和人类解放的宏大主题之中。审美视域实际上是马克思批判资本主义和畅想人类未来的终极视域。

Under the horizon of economical critique,there is an implicit horizon of aesthetic critique in Marx's Capital. Marx sets up his economical critique on the basis of aesthetic critique which is the starting point,pervades the whole process and becomes the ultimate interest of his critique on capitalism. Marx's aesthetic critique primarily focuses on the themes that include alienation,fetishism and free time as well that interact implicitly with the explicit economical critique,and lastly sublimate it to the level of aesthetic critique,converging into the grand theme of the full development and all-around emancipation of human as a whole. In fact,aesthetic critique is the ultimate horizon in Marx's critique of capitalism and the future vision of humankind.