以悲伤阶段论解读梅尧臣悼亡诗的独特风格

A Study of Mei Yaochen's Mourning Poems' Characteristic with Sadness Stages Theory

中国古代悼亡诗,大多创作于作者丧妻之痛最为酷烈的时段,专注于表达对亡妻种种美好的刻骨情感。而梅尧臣的悼亡诗却呈现了悲伤"爆发——沉淀——平复"的完整历程,其中涉及到的创伤的平复、续弦再娶,在中国历代悼亡诗词中极为罕见。以心理学悲伤阶段论观之,梅尧臣在悼亡诗中所呈现的悲伤历程,符合丧亲者的普遍心理过程,他真实坦率地抒发与亡妻相关的一切感情,没有因为哀悼者的特殊心理而回避创伤的平复。这既是梅尧臣悼亡诗的独特风格,也是其价值所在。

Chinese ancient elegies has formed a tradition to mainly express the poets＇ most painful stage of grief.The emotion is focused on their late wives. However, Mei Yaochen＇s mourning poems cover the complete stages of grief：outbreak, precipitation and acceptance. Among all Chinese ancient elegies, the stage of grief acceptance and the secondwife can only been found in Mei Yaochen＇s poems. The grief stages presented in Mei Yaochen＇s poems are the same asall the bereaved. Mei Yaochen frankly expressed his true feelings and everything related to his late wife. He did not avoidthe stage of grief acceptance because of mourners＇ special psychology. This is the characteristic of Mei Yaochen＇ smourning poems, as well as the embodiment of theirspecial value.