摘要
以死亡为论证主线,追踪默多克构建的本真、至善和超越的生存哲学理念。死亡在剔除主体的生命物质性焦虑和被强加的所指意义之后,释放了原本狭小的"无我"意识,行为主体进而可以直接体悟到生命存在的历史性本身以及虚灵之真际生命的生存论美学思想。
This paper, taking death as the main line of demonstration, follows the ideas of truth, goodness and transcendence in the philosophy of existence constructed by Murdoch. After the elimination of agenitive life and material anxiety and superimposed indexical meaning, death releases the original limited "unself" consciousness and then the agent experiences the historicity of life existence and the existential aesthetical ideas of the reality of virtual spirit.
出处
《南京工业职业技术学院学报》
2017年第4期32-35,共4页
Journal of Nanjing Institute of Industry Technology
关键词
艾丽斯·默多克
生存哲学
死亡
美学
Iris Murdoch
philosophy of existence
death
aesthetics