心音有声,何妨无弦——陶渊明手抚无弦琴之文化意象分析

Analysis of Cultural Image of Tao Yuanming's Stringless Guqin

陶渊明手抚无弦琴的传说由来已久,此说虽有史料记载,但其中真假莫辨,而后代文人或迎合此说或避重就轻,倾向于把它当做一个文化符号来表现文人意趣。本文将从无弦琴之器、琴之人、琴之音等角度探析陶渊明手抚无弦琴的文化意象。

There is a long history of Tao Yuanming＇s stringless Guqin. Although there are some historical records,but it＇s still hard to distinguish whether it＇s genuine or fake.Later scholars always cater to this pint of view or evade the crucial point,and tend to use it as a cultural symbol to express the literati interest.This article explores the cultural image of Tao Yuanming ＇s nstringless Guqin from the perspective of the instrument of Guqin,the person of Guqin,the sound of Guqin and so on.