摘要
台湾的水墨发展从传统的师承学习,逐渐走向个人化的艺术特质表现,在多元与异质的时代氛围中展现出不同以往的艺术形式,而在这异质介入、遭逢与碰撞的"嫁接"过程中,衍生出一种新的艺术形式与奇异化的现象。以袁金塔、黄致阳、刘国兴、姚瑞中等四位艺术家的作品为例,探讨他们在创作的"媒体跨界"方面的特色。
The development of Taiwan Residents ink art has shifted the focus from the traditional master-disciple transmission to the individualized expression in arts. In a pluralistic and heterogeneous age,Taiwan Residents ink art presents a form of art that is different from the past. In the " grafting" process,where heterogeneous factors converge and collide with each other,Taiwan Residents ink art develops a new form of art and a phenomenon of singularization. This essay examines the concept of " the border-crossing of media" in art creations through a study of the works of four artists,including Chin-Ta Yuan,Zhi-yang Huang,Kuo-hsing Liu,and Jui-chung Yao.
出处
《淮阴工学院学报》
CAS
2017年第6期23-29,共7页
Journal of Huaiyin Institute of Technology
关键词
嫁接
多元
跨界
奇异化
graft
pluralism
border-crossing
singularization